Johnny and Jake Irish have similar creative perspectives and expectations. Over the last few months, Jake Irish has experimented with developing a series of finished, high-quality look up tables. The goal was to create the perfect LUT pack for FPV exclusively. We later discovered that these LUTs work equally as amazing on DSLRs, consumer drones, cinema cameras and even 360 cams. We originally thought that the GoPro was a camera that would never allow for any significant color grades. Jake Irish discovered how to fully unlock the capability of the GoPro by designing a very specific conversion/primary LUT pack. Johnny’s latest video, “Sandscape”, was a science experiment that lead to the discovery of these LUTs. It took several months to unlock the full-potential of GoPro’s color-science, backed by over 7 years of experience with the same/evolved color tables. In detailed-terms, our LUTs control many aspects of the video quality, not just the color. You will noticeably see a sharper image.. but why? The LUTs we produced prevent pixels from frantically changing, flashing or adapting to false colors mainly due to exposure and white balance shifts (which is a common side-effect with GoPro and other small action cameras). With any other traditional LUT, the result is always poor quality. Traditional LUTs, which are rarely ever made for GoPro specifically, cause enormous amount of grain, flashes, and color shifts. They can sometimes even ruin your footage completely. But with our LUTs, they never produce these common issues. Check it out here. With our LUTs, GoPro finally looks like a cinema camera. Just wait until you try it on your DSLR footage too. Johnny and Jake Irish developed 5 primary LUTs, as well as different exposure variations for each of the LUTs depending on your shots, making our pack have a total of around 72 LUTs. They have now been tested across every consumer brand camera and they simply work.